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Posts Tagged ‘charleston galleries’

The 2011 Palette and Palate Stroll pairings are finalized! The sixth annual fine art and fine cuisine event presented by the Charleston Fine Art Dealers’ Association will take place on Friday, July 15,  from 5:30 to 7:30pm. What an exciting line up this year. We welcome new faces, Rice Market and Caviar & Bananas!

Tickets are $45 per person and go on sale today, click here to buy early as they will sell out!

The 2011 Palette & Palate Stroll pairings are:

Charleston Renaissance Gallery & Circa 1886

Corrigan Gallery & Cypress

Ella Walton Richardson Fine Art & Blu

Helena Fox Fine Art & Anson

Horton Hayes Fine Art & La Fourchette

John C. Doyle Art Gallery & Caviar & Bananas

Robert Lange Studios & Charleston Grill

Martin Gallery & Social

Smith-Killian Fine Art & McCrady’s

The Sylvan Gallery & Halls Chophouse

Wells Gallery & Boathouse

The 2011 event is sponsored by the American Art Collector Magazine. Be sure to check it out where magazines are sold. The magazine offers up to date information about what is happening in some of the best galleries across the country & exhibition schedules, as well as features new artists and a state-by-state resource guide.

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Robert Lange Studios will be a flurry of activity through the month of April as local landscape artist JB Boyd works from his temporary studio inside the Queen Street gallery. The exhibit Length opens Friday, April 2, but Boyd will begin working in the gallery Monday, March 29th by completing the centerpiece of the show, a sweeping 270º panoramic oil painting depicting a tidal flat. The public is welcome to come and watch the painting progress or view the artist at work via a live webcam on the gallery’s website. Boyd will talk to the public about his work during the opening on Friday, April 2 from 5:00 -9PM. RLS is located at 2 Queen Street in downtown Charleston, SC.

Boyd’s contemporary realist style has received great praise in Charleston, winning him the Michael and Donna Griffith Lowcountry Artist’s Award last year.  For this new body of work, Boyd paints from an extensive collection of photographs taken throughout his travels and around Goat Island, SC where the artist lives.  This series captures the unique quality of light as well as inspiring horizon line views.

“There is a subtle nature to these paintings,” says Boyd. “They are consciously understated through elaborate means and, if at all possible, are made minimal by the level of detail. I know this is contrary to simple reason, but I think the most interesting aspects of art lie in the intersections created where contradictions meet.”

Boyd enjoys building on the elongated shape, intent on how the paintings create a space outside of the edges of the work.  This series in particular captures the transitory moments that are the mosaic a lifetime and stretch them across the lifespan of a painting.  His style is a contemporary update of the American landscape tradition and continually exceeds the expectations of collectors.

Kate and Paul Houck, two of Boyd’s collector say, “It doesn’t matter who you are or what type of art you profess to favor, it is impossible to walk by one of JB’s paintings without stopping.  What catches you is the expanse and depth of what he is able to capture in what is typically such a relatively small and sometimes quirky space.”

No detail is overlooked in the preparation of his paintings, from the handcrafted panels on which he paints to the frames housing the work.  One of the pieces for the show, “Post Traumatic Stress” is an aerial view of the water. The 3-by-12 inch oil painting sits just off the wall in one of Boyd’s customary floating frames and depicts each and every ripple of water and blade of marsh grass.

“By focusing on the individual blades of grass and the myriad of shapes they create, you begin to get an idea of the feeling of billions of blades flowing with the breeze,” Boyd says, “These paintings are simply slivers of images, and hopefully with careful composition choices, the elements included in the image make one think about what is not referenced.”

Boyd has shown work in both New York and Los Angeles before joining RLS Gallery in 2004. Boyd studied at the School of the Museum of Fine Arts in Boston and Tyler School of Art in Philadelphia.  He has been painting seriously since he was sixteen.

The exhibition will hang from March 29 though April 26, 2010, and a festive reception, featuring music, wine, and hors d’oeuvres, is open to the public on April 2, 5:00-9PM.

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Visiting artist Jennifer Henriques Phillips will present her series of fine art prints entitled “Building Babylon (is woman’s work)” at Corrigan Gallery from April 2 through April 30 with an opening reception held on April 2  from 5 to 8 p.m.  The gallery is located at 62 Queen Street in downtown Charleston. This is Phillips’ first solo show.

The artist explains “Building Babylon (is woman’s work)” consists of three elements:  The title of the series, the iconography within the 32 monotypes and the non-verbal titles of each piece.  This series can be approached as conceptual, inviting the viewer to integrate the disparate components into a dialogue to access for her or himself possible modes of experience.  This dialogue, the prism through which the work can be seen, is intended to include both the individual monotype and the body of work as a whole.  Explicit images of femaleness juxtapose metaphors of the masculine.

How does an authentic femaleness navigate the fine line that divides the perception of woman’s body as sacred/profane, adored/excoriated, protected/brutalized, idealized/marginalized?  These are core, albeit not exclusive, questions I ask of my work and myself.

Babylon, the mythical, the biblical, the historical, projects a rich ground of metaphor in which today’s experience of the femaleness of being can be couched. The masculine attributes of Babylon, conqueror and lawgiver, also embrace the feminine: Babylon is the Greek variant of the Akkadian Babilu, meaning “gateway to the gods.”  A place both of renowned beauty and of exile, Babylon has, throughout history, come to represent depravity and oppression.”

This series was made in collaboration with John McWilliams, photographer and Mary Walker, printmaker. A portion of sales’ proceeds from the show will go to the Center for Women.

Phillips was born in Jamaica to a Sephardi family.  Her ancestors’ lives as secret Jews in Iberia and their flight from Portugal to Amsterdam and on to Jamaica in the mid-1600s, is central to her family history. Raised and educated in Jamaica and Switzerland, she attended the School of Oriental Languages in Paris then passed a decade in London, before returning to Jamaica where she worked in politics.  Immigrating to the United States in the late 1970s, Phillips settled in Charleston where she graduated from the College of Charleston’s School of the Arts in 1990.

Phillips has always had an interest in voices on the margin. From childhood in Jamaica, she was aware of the economic inequities based on class and the reduced role of women objectified according to social status in traditional idealized roles of wife/mother/mistress or as domestics.  Later, as assistant to the Jamaica Labor Party’s Edward Seaga, then Leader of the Opposition, Jennifer worked on the assembly of a report to Amnesty International and the OAS on the massive fraud and violence that accompanied the 1976 General Election.  She recorded, by hand, the eye witness accounts of the largely poor and illiterate polling station workers from across the island who were the often themselves victims of violence.  In Charleston Jennifer trained as an interviewer for Steven Spielberg’s Survivors of the Shoah Visual History Foundation, conducting videotaped interviews with Holocaust survivors in South Carolina.

Corrigan Gallery, now in its fifth year, is a culmination of 22 years of experience in the Charleston art market.  The gallery represents more than a dozen artists in an intimate space and presents 6 to 10 shows per year with the gallery being refreshed every month.  Visiting artists are included in the yearly roster with most of the artist being either Charleston natives or individuals living in Charleston. A gallery of contemporary works exploring the depth and intellect behind the drive to create, Corrigan Gallery provides a breathing space around the historic city’s traditional bent. Open six days a week and other times by appointment, the gallery can be viewed 24 hours a day at http://www.corrigangallery.com, contacted by phone 843 722 9868 or email art@lesecorrigan.com.

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Opening the 8th of April, Ann Long Fine Art will present Woman, a group show of enigmatic female portraiture painted in the classical tradition.  The exhibition features work by Daniela Astone, Kamille Corry, Louise Fenne, Daniel Graves, Jill Hooper, Ben Long, Paula Rubino, and Charles Weed.

The image of the female has permeated visual media since humans etched their first mark on a cave wall and has continued to be a fascination of painters throughout the ages.  Woman offers a contemporary look at this fascination.  Beyond being simply attractive, the portraits exhibited capture the mysterious beauty of the female persona and delve into the individual soul of each subject.  The paintings are timeless, intriguing interpretations of women in which outward beauty signifies an inner beauty of spirit.

Join Ann Long Fine Art on Thursday April 8th to view these exceptional portraits from 6 until 8 pm in the gallery at 54 Broad Street in downtown Charleston, SC.

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Carolina Galleries presents artist Julyan Davis: New Paintings of the South, September 3rd through 30th. This body of work explores the mystery of the South, its landscapes and streetscapes, abandoned mansions and haunting interiors. Davis’ new show documents the bygone structures of the Antebellum South and provides glimpses into the grandeur and majesty of Southern history and culture.

Join Carolina Galleries for the opening of his new show, Friday, September 4th from 5-8 pm. Meet the artist & enjoy libations with one of the South’s premier landscape artists. Davis, a British-born, Southern convert, attended university at Byam Shaw School of Art in London. In 1988, having completed his B.A. in painting and printmaking, he traveled to the South on a painting trip that was also fueled by an interest in the history of Demopolis, Alabama and its settling by Bonapartist exiles. He explored the rural areas of Alabama especially, and after settling permanently in Asheville’s Montford district he has become known for his landscapes of the South Carolina Lowcountry, Georgia, Western North Carolina and Alabama. His work is in many private and public collections across the United States and United Kingdom, including recent acquisitions by the North Carolina Governor’s Mansion and Western Residence and the Gibbes Museum of Art in Charleston, SC. In 2009 he has had shows in Bath, England and Portland, Maine in addition to Asheville, NC and Charleston.

Carolina Galleries will also feature 19th and 20th Century Southern art including work of the Charleston Renaissance by Alfred Hutty, Elizabeth O’Neill Verner, Alice Ravenel Huger Smith, William Aiken Walker, William Halsey, Elizabeth White, Birge Harrison, and Benjamin Franklin Reinhart. Our contemporary artists are carefully selected to compliment the 19th and 20th Century Southern aesthetic: Stephen Chelsey, Craig Crawford, Gary Grier, Johnson Hagood, Chestee Harrington, Philip Juras, Tom McNickle, Margaret M. Peery, Philip Smallwood, Mickey Williams, Evan Wilson and Stephen Scott Young.

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As you may know, the Tall Ships are coming! This weekend is the Charleston Harbor Fest and the art world is kicking it off with a Gallery Walk on Thursday, June 25th 4-7 pm! This event is free & open to the public, and the galleries will be featuring the best maritime art the Holy City has to offer plus some libations. Look for the Charleston Harbor Fest flags to find participating galleries.

Participating Galleries:

Carolina Galleries 106 A Church St

Coco Vivo 25 Broad St

Coleman Fine Art 79 Church St

Corrigan Gallery 62 Queen St

Ella Walton Richardson Fine Art 58 Broad St

Hamlet Art Gallery 7 Broad St

Helena Fox Fine Art 12 Queen St

Horton Hayes Fine Art 30 State St

Martin Gallery 18 Broad St

Robert Lange Studios 151 East Bay St

Smith Killian Fine Art 9 Queen St

Waterfront Gallery 215 East Bay St

Wells Gallery 125 Meeting St

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